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NPR's Juana Summers talks with Scott and Seth Avett about their latest album, self titled "The Avett Brothers," which has been in the making since 2019.
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Faliks draws from her Ukrainian-Jewish heritage and Mikhail Bulgakov's anti-censorship novel The Master and Margarita for a new album.
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Katie Crutchfield's gorgeous sixth album affirms that real lives are lived not in clear chapters, but as a zig-zag of pitfalls and revelations one can only hope to learn from.
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Get ready for albums by Iron & Wine, Kamasi Washington, Tyla, Vampire Weekend and many, many more.
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The Baltimore band talks about their seventh studio album, People Who Aren't There Anymore.
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"I learned how to play guitar watching Tiny Desk concerts," lead singer Karly Hartzman says. The Asheville rock band translates its noisy, country-influenced sound to a quieter setting.
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A new album, American Counterpoints, reasserts the importance of two 20th century Black composers whose work has been neglected.
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Frontperson Missy Dabice talks about the Philadelphia band's new album, I Got Heaven.
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On The Past Is Still Alive, Alynda Segarra's latest album as Hurray for the Riff Raff, the shapeshifting folk artist dives into deeply personal stories from their own vagabond youth.
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Moreno's breathtaking voice is passionate and stylistically malleable, as she glides back and forth easily between bossa nova and bluesy rock. Moreno sings three songs from her newest album, Illustrated Songs, at the NPR Music offices.
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Recent songs by Maggie Rogers and Kacey Musgraves took NPR Music's Lars Gotrich back to a familiar sound and ethos. On this edition of 8 Tracks, we dream up a Lilith Fair lineup.
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The former Alabama Shakes leader is in total control of her new album's genre-defying odyssey through this thing called life, evoking the mastery of another do-it-all maestro: Prince.