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Gracie Abrams, one of today's biggest new singer-songwriters, has polarized critics with her confessional writing and A-list upbringing. Why do people care so much that she is taking up space?
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Beginning Aug. 1, NPR Music will publish a week-long list of stories and podcast episodes exploring the legacy and future of the Grateful Dead. And we want to hear from you!
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The singular singer's third album finds a message worthy of her instrument: Great romances are defined not by what you want, but by the act of wanting.
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Philip Glass' newest symphony, an homage to Abraham Lincoln, was supposed to premiere at the Kennedy Center — until it didn't. And then, the Boston Symphony Orchestra stepped in.
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The South African musician's "Mannenberg" was often called his country's unofficial anthem during the final years of apartheid.
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The R&B veteran steps behind the Desk to blaze through his smash hits, including "Good Girls," "I Wanna Know" and the macking anthem, "All the Things (Your Man Won't Do)."
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As Boards of Canada release their new album, 'Inferno', diehard fans remember the time when they trekked out into the Scottish countryside trying to find the band's so-called "Red Moon Party."
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Boards of Canada. Kurt Vile. Iceage. Host Stephen Thompson chats with Andrew Brown of KUTX in Austin about their favorite albums out Friday, May 29. Plus, a handful of NPR Music writers and critics offer their personal picks in the lightning round.
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In the lineage of jazz, Miles Davis, born 100 years ago, presents something of a paradox: He looms as large as anyone, but he means many things to many people.
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Grand Nathaniel, a fixture in the Lafayette, La., scene for over 30 years, performs songs from his latest album, Lonely Wanderer.
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In December, the late Nigerian superstar became the first African pop star to get a Grammy lifetime achievement award. Now he's making history as well at the Rock & Roll Hall of Fame.
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Independent venue closures, social media algorithms and the rise of generative AI are all part of an ecosystem that artists say is becoming increasingly difficult for working musicians to weather.
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The Grammy-winning singer describes herself as a "53-year-old woman who is maneuvering her career the way she wants to, how she wants to." Scott's new album is To Whom This May Concern.
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The trial, which began a week ago in a New York City courtroom, aimed to break up Live Nation and its subsidiary, Ticketmaster.