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The supergroup's self-titled debut album was a chance for five of the world's best bluegrass players to honor the genre's traditional sound.
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"We had basically farmed every nutrient we could out of the potential of this band's soil and we needed to let it rest," Sara Watkins says of the nine-year break between Nickel Creek albums.
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NPR's Leila Fadel speaks with Mark O'Connor about his memoir, Crossing Bridges, on his journey from multi-instrumentalist child prodigy to solo artist composing and performing on world stages.
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Molly Tuttle's new album is her third. But in many ways, it's a reintroduction – of her prodigious guitar talent, of her personal story, and to the Recording Academy that decides Grammy Awards.
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Many credit Bill Monroe as the father of Bluegrass. But when you listen to his music, you hear echoes of the man who mentored Monroe — Arnold Shultz.
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McCoury's been prominent in bluegrass since the 1960s, when he performed in Bill Monroe's Bluegrass Boys. His new album, with sons Rob and Ronnie, in an energetic work that also takes a dark turn.
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For the first time in over two decades, Fleck has returned to the bluegrass genre with My Bluegrass Heart, an ambitious double album.
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This fall, the bluegrass supergroup Sister Sadie became the first all-female band ever to win the top prize at the International Bluegrass Music Association awards.