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1802 was a portentous year in Europe, and it was tempestuous for Beethoven as well.

The charity responds to questions about its overhead costs, such as the $26 million it spent on conventions — including at least one that was held at a luxury resort.

We have a special live performance recording of the Verdi Requiem this week. Vedri, of course, was first and foremost an opera composer. One would expect his Requiem to be dramatic, and Verdi does not disappoint.

Maurice Ravel penned a piano duet drawn from Mother Goose tales for the amusement of a friend’s children in 1910.

It’s a December tradition on Mozart’s Attic: A complete performance of Handel’s Messiah as interpreted by a different recording each year.

Cast your vote for your favorite releases of 2024!

Closer to horoscopes than to Hubble telescopes, Gustav Holst wrote The Planets as a look at the astrological significance of our solar system neighbors.

Franz Joseph Haydn wrote a pair of oratorios that were partially inspired by the oratorios of G.F. Handel, and we’ll hear the first of the, The Creation this Sunday in a performance on period instruments.

In 1972, Calvin Hampton transcribed Pictures at an Exhibition for organ, and we’ll hear that this Sunday. Bring your best loudspeakers to the Attic this week.